I was a little tempted to change this cat into a Somali or Abyssinian, as that is my “breed bias”, but this time I decided to leave it black. I think it works with the coldness of the marble sill, the snowy day and the blue glass. This painting is about as close to a still-life as I get. It is actually a study in textures. I found it an interesting challenge to have black fur, under the circumstances, emanate warmth.
This is acrylic on 9×12″ gallery-wrapped canvas. I have prints available in my online gallery at Fine Art America.